The installation was purely responsive, and no computers were used during the performance. Each instrument was connected to a small piezo (contact microphone), which ran to a circuit board, and then to the laser diode itself, housed in a custom enclosure.
The design aimed to extend the architecture of the auditorium using sculpted light. We created a set of apparatus using machined MDF, in order to support the various lasers, mirrors, and other components within the auditorium space.